Music and World Cultures Exam 3
This flashcard covers the term panoptic, meaning viewing an event or performance from a distant, detached perspective. It suggests an all-encompassing or observational vantage point.
view of an event or performance from a distance, from a detached viewpoint
panoptic
Key Terms
view of an event or performance from a distance, from a detached viewpoint
panoptic
view of an event or performance from within a setting into which the spectator views (360) (from the center, immersed)
panoramic
small musics within big music cultures
micromusic
the legal protection of intellectual property
copyright
a manager of performers or a director of a concert series
impresario
A group of people who share a common identity and related practices, whether based on ethnicity, religion, language, or generation, that are perceived as distinct from others within a given society
subculture
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Term | Definition |
---|---|
view of an event or performance from a distance, from a detached viewpoint | panoptic |
view of an event or performance from within a setting into which the spectator views (360) (from the center, immersed) | panoramic |
small musics within big music cultures | micromusic |
the legal protection of intellectual property | copyright |
a manager of performers or a director of a concert series | impresario |
A group of people who share a common identity and related practices, whether based on ethnicity, religion, language, or generation, that are perceived as distinct from others within a given society | subculture |
The sphere of musical interaction that involves the power of the state and international industries, and the assumptions and expectations they generate | superculture |
The sphere of interaction between musical subcultures | interculture |
A small, four-stringd Hawaiian chordophone that became popular in the twentieth century | ukelele |
an indigenous hawaiian dance form associated with native chants, later accompanied by Western instruments for tourists | Hula |
Harmonics produced on the steel guitar by flattening the strings with the palm of the hand | palm harmonics or chimes |
Technique in Western music when a chord is played one pitch at a time, usually from bottom to top | arpeggio |
Vocal technique where a singer produces a break in tone when switching from chest to head voice | yodel |
A large Indonesian ensemble consisting mainly of metallophones | gamelan |
A type of Balinese gamelan, known particularly for its shimmering sound and interlocking parts. | gong Kebyar |
Twentieth-century Balinese dance drama performed for tourists | kecak |
One of the two main tuning systems of Indonesian gamelan music | pelog |
A new creative work for Balinese gamelan | kreasi baru |
An Indonesian term for the interlocking parts heard in Balinese gamelan music | kotekan |
A grouping or measure, of two beats | duple meter |
A scale that contains five pitches, or the music that is based on such scales | pentatonic |
The addition of one or more notes in slight anticipation of a pitch | grace notes |
A regular fluctuation or trembling of a sound, produced by varying the intensity of the sound | tremolo |
A musical gesture that entails sliding from one pitch to another | glissando |
A Chinese plucked lute with roots in central Asia | pipa |
Chinese free reed aerophone with vertical pipes | sheng |
Chinese bowed lute | erhu |
A short musical pattern that is continually repaeted | ostinato |
A regular fluctuation of a sound, produced by varying the pitch of the sound | vibrato |
Gradual increase in volume from very soft to very loud | crescendo |
Literate music traditions are more complex than non-literate musical traditions | false |
Within a given society notations typically develop after _ notation | musical, written language |
fake books typically contain | lead sheet notation |
formalized system used for signaling, memorizing, and teaching | notation |
The type of musical notation used in the 10th- or 11th-century manuscript of "Ad te levavi" tells how to sing the song, not what the song is. | true |
The earliest known alphabetical system of music notation originates from | Syria-Palestine |
In Western Europe, which type of music first acquired a written notation | Vocal music |
What is the oldest recording device | memory |
The first visual representations of musical sounds originate from | Carvings from the Pharaonic period of ancient Egypt |
One of the earliest descriptions of Western music from the Middle Ages | underscores the importance of music in the ceremonies of the medieval church |
The current Western system of musical notation specifies which of the following components of any musical sound | duration, timbre, pitch, loudness |
addition of notes to those specified as notes | Ornamentation |
What are the two motivations behind the use of notation | the need for a memory aid and the need to communicate |
At the foundation of the Western musical system, the basic unit of music-writing was the syllable, not the musical note | true |
In Greece, Mesopotamia, and Pharonic Egypt, which type of music first acquired a written notation | Instrumental music |
Music notation in ancient Greece was principally developed to circulate and preserve specific compositions | false |
give instructions for making the music rather than indicating the music itself (the player doesn't have to know how the music will sound) | signs for actions |
use signs people already know and don't take up a large amount of writing space with a complicated grid or lots of open space | signs for notes |
give directions for what to do and includes indications for volume and for the means of getting from one note to the next | signs for motion |
show the structural divisions of a text and guide a singer in performing that text | signs for formulas |
Written notation does this | preserves music over a long period |
The use of notation and the form it takes are the result of the social and cultural context in which it has been developed | true |
Written notation is a phenomenon of literate social classes | true |
Neumes indicate the number of notes, the melodic shape, and what the specific notes are | False |
| staff |
fixes the location of one particular pitch on a staff | clef |
locate pitches lying above or below any staff | ledger lines |
total duration between adjacent bar lines | measure |
vertical lines running through the staff or staves that mark off a fixed number of some note-value or the equivalent duration | barline |
Professionals use fake books | as skeletal guides to performance |
Traditional Western notation was designed to accurately notate musics from all musical traditions from around the globe | false |
Fake books are used | particularly by jazz musicians |
are an informal collection of scores used by performing musicians and as a tool for learning | A fake book |
The earliest books of Western music contain words only | true |
Many fake books are unreliable and some are notoriously inaccurate | True |
Indigenous peoples of which region use no written notation | sub-Suharan Africa |
Which was NOT an important institution for the spread of bhangra in North America? | Churches |
Capoeira performance takes place in a ring called a (n): | roda |
The tango’s choreography, postures, dress, and music are based on the figure of the compadrito, or: | aggressive urban cowboy |
How does the pas de deux in classical ballet transmit messages about sexuality and gender roles? | The male dancer replicates the cultural ideal of the gallant gentleman who supports a woman and endures hardship for her comfort. |
Which term refers to the middle section of the angoleiros tradition of capoeira, consisting of a responsorial part that is also known as the "prayer" or "praising"? | chula |
The instrumental tango declined in prominence in the 1960s because it was replaced by the tango song. | False |
Which term refers to the rural Argentinean cowboys whose musical sounds laid an important basis for tango music? | gauchos |
Which term refers to a Chinese plucked lute? | pipa |
a type of button accordion brought to Argentina by German immigrants, which came to displace the guitar in tango ensembles | bandoneon |
Which term refers to a short musical pattern that is repeated? | ostinato |
standard steps for tango | fan, swivel, promenade, The Single Cortez |
What was the focus of early controversies about the tango? | he dance's overt representation of sexuality |
What factor gave tango, initially associated with poverty and ill repute, respectability in Argentina? | It migrated to Europe and was welcomed into upper-class settings there. |
What role did bhangra play for South Asian youths in Great Britain by the 1960s? | It helped them affirm their identity in a positive way within a hostile and exclusionary British culture. |
The tango song La Cumparsita seems dramatic because of the acceleration of tempo, or ritardando. | False |
Dance can communicate: | stories from literature or mythology. |
Which of the following is a case in which Western intellectual property laws—which assume that ownership of music is an individual right—become ethically and economically problematic? | when music is considered to have sacred origins |
How does sung tango differ from the instrumental form of the dance? | It is more irregular in tempo, slowing or quickening for dramatic purposes. |
The movements of martial arts, such as capoeira, often lack expressive or philosophical significance. | false |
The orchestra that accompanies capoeira is called a (n): | bateria |
When and where did capoeira emerge? | among African slaves who worked on sugar cane plantations and in gold and diamond mines |
The dhol is a large drum played to accompany Punjabi harvest festival dances performed by men and women. | false |
How does a player produce different pitches and timbres on the berimbau? | by changing the pressure of a stone or coin against the string |
What were the cellist Yo-Yo Ma's main goals when he launched the Silk Road Project? | to present music and musicians from cultures along the ancient Silk Road, and to commission new music from composers from these regions |
An Arangetram is typically performed by a young woman of South Asian descent to: | demonstrate her mastery of bharata natyam |
The most important component of capoeira movements is ginga, or: | sway |
What does the term dohl refer to in relation to the bhangra tradition? | a two-headed drum made of mango wood whose rhythms are the basis for bhangra music |
Grace notes, fingered tremolo, glissando, and high harmonics are ornaments that are distinctive to which Chinese instrument? | pipa |
What are "steps" or "figures" in the tango tradition? | the various standard motions in tango dancing |
Which of the following is NOT a reason why the tango was associated with the lower classes in Argentina? | The steps were based on a folk dance from the impoverished countryside. |
Which term refers to the fundamental motion of capoeira—the "sway" of the player's body from side to side in wide-legged stances? | ginga |
Which nonmusical themes are central to the significance of tango in Argentina and elsewhere? | open sexuality and male dominance |
A section called a coda, literally meaning “tail,” may be used to end a tango such as Adiós Nonino. | true |
The study of dance steps | choreology |
Dance in which two people perform face-to-face within an intimate space | couple dance |
Dance performed by multiple dancers side by side or in a horizontal sequence, Middle East | line dance |
Extended due in Western ballet between the leading female and leading male dancer | pas de deux |
Movement form that imitates characters or actions through exaggerated silent gestures | mime |
Afro-Brazilian performance style that combines elements of martial art dance, etc | capoeira |
Form of patterned movement such as boxing, fencing, judo, or karate that embeds values of a particular culture | martial art |
Musical bow used to accompany capoeira | berimbau |
Lowest and loudest berimbau | berimbau gunga |
Middle-range berimbau | berimbau medio |
Highest-range berimbau | berimbau viola |
Tall, cylindrical drum used to accompany capoeira | atabaque |
Brazilian frame drum used to accompany capoeira | pandeiro |
Idiophone of West African origin with two cowbells welded together | agogo |
Brazilian scraper | reco-reco |
Small wicker rattle filled with seeds shaken by berimbau player | caxixi |
Colonial-era Afro-Brazilian song and dance gatherings | batuques |
Master of capoeira | mestres |
Practitioner of Angola-style capoeira | angoleiro |
First section of the capoeira ritual, which contains historical and philosophical context | Ladainha |
A responsorial vocal section that signals that the capoieira game can begin | corrido |
The second responsorial section of the capoeira with salutations and greetings | chula |
The rhythmic patterns played by the berimbau in capoeira | toque |
A tightly choreographed men's group dance, originally from the Punjab region | bhangra |
A dance performed by Punjabi women, equivalent to the bhangra | giddha |
Left, lower-pitched head of the dhol | dhamma |
Right, higher-pitched head of the dhol | purha |
Traditional rhythm of the dhol drum as well as common motion in bhangra with both arms and left leg lifted. | jhummar |
Single-pitched string instrument used in bhangra | bugdu |
double-flute used in bhangra | algoza |
Metal idiophone with discs attached used to accompany bhangra | chimta |
South Indian temple dance | bharata natyam |
Formal recital performed by bharata natyam dancer after years of study | Arangetram |
Smaller dohl | dholaki |
Short solo phrases traditionally sung at the beginning of Punjabi songs | bolis |
Festival with South Asian roots often held in the South Asian diaspora | mela |
A button accordion associated with the tango | bandoneon |
An Argentinean-derived style of song and dance | tango |
A free aerophone with reeds that are hidden within two rectangular headboards connected by a folding bellows with keys or buttons to play a melody and chords | accordion |
An accordion technique that results in an intensified tremolo or vibrato | bellows shaking |
Long-short Cuban rhythm | habanera rhythm |
Standard movement pattern in dance | step (or figure) |
Instrumental ensemble with one or more bandoneon, string instruments, and piano that played tango to accompany dance | orquestra tipica |
Argentinean word for cowboy | gaucho |
Early form of the tango, with two contrasting sections, both set in quadruple meter with long-short rhythms | tango-romanza |
Sung tango, irregular tempo | tango song |
A melody that contrasts with a main melody or tune played at the same time | countermelody |
spanish for organ grinder | organitos |
A Western classical form that generally consists of an exposition, in which one group of themes is presented in a home key and a second in a foreign key; a development section in which the themes are elaborated on; and a recapitulation in which both groups return in the home key | sonata form |
The process of elaborating or varying a theme. the middle, contrasting section of Western sonata form | development |
Repetition of a melody or section of music | restatement |
Argentinean gathering featuring tango music and dance | milonga |
Dramatically slowing down music's tempo | ritardando |
Term for a concluding section | coda |